What’s in a tone?

This book is a whole mood. Dark and sweary. Raucous, romantic, and monstrous.

A black and white picture of an open book. Text overtop reads: come for the lesbian space necromancers, stay for the kick-ass heroine

I mean… check out these vibes:

Gideon might well have shaken her until the teeth in her head and the teeth in her pockets all rattled.
— Gideon The Ninth, Tamsyn Muir

I love everything about its tone. I love Gideon’s mulish, irreverent character and the way her no-f*cks-to-be-found attitude is mirrored in the prose itself. I love that underneath her porcupine quills there’s a ride-or-die heart. I love that Harrow is a living nightmare who can handle anything you throw at her except a hug. I love the evolution of their relationship.

I loved to hate the ending.

She had always thought - when she bothered to think - that Harrow would feel cold, as everything in the Ninth felt cold. No, Harrow Nonagesimus was feverishly hot.
— Gideon The Ninth, Tamsyn Muir

I will confess that loving the main characters has its dangers for me. Dangers like not caring about anyone else. And there are a lot of side characters in Gideon. Keeping everyone straight while fighting the temptation to skip to the next Harrow and Gideon showdown felt a little distracting.

But the vibes won out, and in the end I not only left my body but this universe entirely.

A bone-rattling war-cry of a recommend.